Paolo Gioli blue copper phthalocyanine chromium (III) complex of azomethine dye chromium complex of an azo pyrazolone fibre optics reflectance spectroscopy polacolor polaroid chemistry. The most diagnostic results were obtained from FORS for the determination of the dye developers present in the mock-up sample which was obtained from Polacolor Type 88 and from Paolo Gioli's original artwork created with Polacolor type 89. However, they provided significant information about the cellulose-based materials. Its a very delicate process and it irreversible and potentially can ruin the photo completely. The obtained spectra from FTIR were not sufficient to assign the dyes found in the transferred Polaroid emulsion. If you cut up the Polaroid and split the layers apart, you can gently remove or 'lift' that emulsion layer off the plastic cover and transfer it onto something else like watercolor paper. Add lots and lots of water so you don’t rip the emulsion. ![]() ![]() Step 4: This is the really fun part WATERCOLOR Now that your chemicals are washed off and the emulsion is loose, you can gently watercolor the backside of your Polaroid. Fuji Film is now making films that are the same size and format as some of the Polaroid films. Wash the chemicals off of the back of the front piece of the Polaroid. The peel-apart Polaroid color films, such as Polacolor 669, are no longer manufactured. Folds and wrinkles are inherent in the process. Once you have your film placed, gently start to flatten it out. The film will stick instantly to the board without glue, (especially when its out of water) so try to be as quick as possible without tearing your print. Transfer the film, using your tools, onto the board. These techniques were chosen according to their completely non-invasiveness and no requirement for sample collection. The thin layer of emulsion is then applied to a receiver of paper or just about any kind of surface. Take your dish, film and board into the bathtub (the water needs to be cool). The spectral analysis performed followed a multi-technical approach first on the mock-up samples created following Gioli's technique and on one original artwork of Gioli, composed by: FORS (Fiber Optics Reflectance), Raman, and FTIR (Fourier-Transform InfraRed) spectroscopies. Depending on factors such as ambient temperature the warmer the weather. Once you’ve found the perfect scene and shot it, the fun really begins. Dull or neutral colors can make for disappointing results. ![]() The aim of this research is to study and diagnose for the first time the Polaroid emulsion transfer in the contemporary artist Paolo Gioli's artworks to provide preliminary knowledge about the materials of his artworks and the appropriate protocols which can be applied for future studies. The general effect of an SX-70 image manipulation is a sort of impressionistic painting quality that begs for the use of bright color.
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